Browsing: Features
After five years, Art Bash at SFMOMA feels less like a gala and more like a city-wide release valve, part party, part performance, and fully reflective of where the culture is right now.
The Ultimate Drag Competition (UDC) stands as Denver’s premier drag showcase, hosted at Tracks Denver Nightclub. Since its founding in…
I recently sat down with Wei Wang, principal dancer with the San Francisco Ballet, to talk about a new work…
Happy late 420, canna-thusiasts! Apologies for the late drop, but we got a little too enthusiastic trying these great products!…
“Oh blindness to the future! kindly giv’n,That each may fill the circle mark’d by Heav’n:Who sees with equal eye, as…
Hell’s Kitchen could be like a lot of jukebox musicals, shoehorning radio hits into a narrative that feels thin and…
San Francisco Ballet’s La Sylphide pairs Romantic fantasy with sharp technique, revealing exactly where true artistry breaks through.
Ashnikko’s sold-out stop at The Warfield in San Francisco turned the historic venue into a fully immersive pop spectacle, complete with surreal visuals, relentless choreography, and a crowd that matched her energy beat for beat.
On Saturday, March 28 and Sunday, March 29, Death in Drag: Too Dead to Dance transformed Linger into something between…
Gogol Bordello hit The Warfield at full speed and never really let up, moving through their set like it was already in motion before anyone could catch up. With a sound that stays dense but never distant, and a voice that lands somewhere between Joe Strummer and Shane MacGowan, the band still plays with a sense of urgency that doesn’t feel manufactured. Twenty years in, it doesn’t come across like a legacy act or a routine stop. It feels like something that’s still actively unfolding.