
Related Article: Tommy Chong: Our Favorite Token Stoner What are some of your favorite memories working on Another Gay Movie and its sequel? There are so many memories of these films. I also executive produced them both, so I kind of had a behind-the-scenes and in front of it look, but just the camaraderie between us boys. Michael Carbonaro is still one of my best and closest friends. There are just so many. The scene with Richard Hatch and dancing with him, and then having the whole explosion scene is hysterical and crazy. Even the rehearsal time that we had with the boys ahead of time and getting to do that was so meaningful.
For the sequel, we had RuPaul, and this was before Drag Race. I always like to say it is a little nod before Drag Race. She played a host of a reality show, so I think we kind of inspired her. Also, just working with all these great, unique people in their fields. From Scott Thompson, Graham Norton, Lady Bunny, Brent Corrigan, and Perez Hilton, plus so many other cast mates, extras and people who contributed, there were a lot of great moments that were had. What do you think is the biggest boundary Another Gay Movie broke? Our ability to laugh at ourselves. Up to that point, there were not any real comedies. Everything was a coming-out story, and it really took these stereotypes that I think nowadays we are a lot more sensitive to, but it made us be fierce about them in a way where we could actually laugh at ourselves and get away with laughing at ourselves. I would say that is probably the biggest boundary outside of showing shriveled up penises and a guy screwing a pie with a gerbil up his ass. I feel like we did hit a lot of new things, but we got to help shift and open up the genre of what queer content could be.
Related Article: Camilla Gisslow’s ‘Perfectly Me’ Books Uplift Trans Kids I must ask, what was it like kissing Leonardo DiCaprio in This Boy’s Life? I originally did not want to do it [laughs]. It’s funny because he brought it up. We were all kind of talking about it, and I was like, ‘Huh, really?’ Leo was a dear friend of mine certainly through that process and then afterwards, but I was never attracted to Leo. Also, kind of where that was coming from, even in the movie, it was such a moment of shared intimacy. That was sort of an acknowledgment of that, opposed to horny sexuality. It was more of a moment of, wow, you really see me, and I see you. Thank you, I love you. What are your thoughts about the big debate that is currently going on in Hollywood about straight actors playing LGBTQ roles? I feel torn about it. It is important for queer men to have that accessibility, but it is weird now because before, acting was more about playing other types of characters. Now, much of the casting is about trying to find the real people. This is an important issue, and I certainly wish I were cast in more things that straight men got, but I also believe as an artist, the people with the most interesting and most dynamic performances should get the role. I am split about it because I definitely want to empower more casting of people in the trans community and all that, but again, as an artist, do I want to be able to play roles that are not me? Yes. Absolutely. That is part of the freedom of it.
I feel like I want both to exist. Right now, the pendulum is swinging, and it is understandable to give more voice to those who are actually queer. We also have the strength of artists who are queer to be able to play those roles now, as well. Maybe people were not as empowered early on because they were kind of shunned from doing queer stuff. Don’t play queer; don’t be queer. It is certainly a complicated scenario, and for me, I could never give you a simplistic yes or no. I think there are merits to both sides.
Related Article: Bryce Quartz: Making Hip-Hop Gay Again You have been working as an actor since you were a young boy. How did you discover your love and passion for performing? I started as a dancer when I was three years old, and my parents were so open to letting me do that. Then, I started acting in community theatre and commercials, and I was so happy to be seen and heard. I am the youngest of four kids, and I don’t know if I just needed to get more attention, but I loved being seen and heard. Dancing is my first talent, and that really took off for me. It was a validation that gave me an identity. Acting kicked in for me because it was a place I could be out of control in a controlled environment. That was sort of imparted on me, and I certainly relate that to being queer.
We are constantly, especially my generation when we were younger, hiding and concealing. You are already an actor in the world because you are withholding who you are. Acting gave me opportunities to express something fully, and I love acting because I want to be able to act out in a safe environment in ways I would never do in my real life. I would never heighten my emotionality in certain scenarios consciously because I would not want to damage my relationships in that way. I would not take those kinds of risks that certain characters do. I may have the impetus to want to do so, but I wouldn’t.
I am too conscientious of my reactions. I have been meditating every day since I was 18 years old. I have a little bit of self-control with some of those reactions, but I am curious to be able to step into worlds, characters, and genders that are not me. I learned from experience playing Nico what my masculinity was because I had to totally be in my feminine side, which I had never done before, and I was terrified about even exploring it. I realized after that, this is really where I land, and I felt even more comfortable with my masculinity because I got to explore my femininity. That was through a character, and that taught me a lot. It just kind of grows you when you put on different personas. You measure it to yourself, too.
What do you hope audiences take away from your work? I hope they can take away some kind of emotional experience. Whether it is titillating joy, giddiness, or just warm heartedness, I hope that they can feel it so much. I hope they can feel it a little bit more than they feel other things. As an actor, I feel like you are empathic and sensitive. I hope I can open someone up from whatever my experience is. Life can be hard to let yourself feel and have emotion. I feel like we go to storytelling so we can do that in a safe environment. We can cry watching your story, but I am really crying because I am thinking of my own. I hope I can be enough of a vessel to really allow people to feel as many things as possible. You have now expanded into working with LGBTQ media, PR, and platforms like Revry. What have you gained from this experience? It all kind of hits into my mission, which is to support, be of service to our community, and be of service to help champion and amplify voices that would not necessarily get to be heard. They all play into that part. We are all story making machines, we are all story eating machines. Storytelling and watching TV is such a huge part of every person’s life, and this is how we learn to be a part of that and make an impact. Helping people with it is a great privilege, and I feel like that is the unifying theme whether I am acting, writing, directing, or producing. Before we wrap up, is there anything else you would like to mention or plug? Any other upcoming projects? I am excited about some of the stuff that is coming out after this pandemic. I am going to be working in Prague, which I am very excited about, and I have been focusing on a project that I have been writing for some years. It means the world to me, and I hope it is my greatest work yet. Other than that, I think that is it! Follow Blechman on Facebook and Instagram to stay up-to-date with his latest news and projects.
Photos Courtesy of Jonah Blechman and Revry

